«A sonically adventurous record, beautifully listenable and immersive»
Nordic Music Prize Honorary Mention

«Kim Myhr is a master of slow-morphing rhythms and sun-dappled textures that seem to glow from the inside…It’s an album to bolster the spirits and ground the nerves. traveling music for big-sky vistas»
★★★★ The Guardian (UK)

"a tremendous piece of music»
BBC3 

«delicate and suffused with beauty, yet exudes a power derived from the clarity of its creative vision. Truly, an ocean of sound.»
★★★★ MOJO  (UK)

«surely a minor masterpiece»
Jazzwise

«a trance state between the acoustic and the electronic, where an alchemical late-hours lyricism is born.»
★★★★ MOJO (UK)

Årets sjuende beste norske plate
Dagbladet (NO)

"extravagants orages qui peuvent se transformer en transports shamaniques, dérives cosmiques et ruminations bruitistes, tout un capharnaüm extra-musical parfois effacé au profit de nappes cristallines semblables à d’évanescents mandalas sans cesse recommencés. […] comme des étonnements d’enfance.»  Les Inrockuptibles (FR)

«A grotesquely beautiful paradox of sound»
SLUG magazine (US)

«arresting piece of work»
The Quietus (UK)

«Remarkable»
Jazzwise (UK)

«Compelling, riveting listening»
All about Jazz (UK)

«A delirious love letter to the 12-string acoustic guitar»
WIRE Magazine, Clive Bell (UK)

"One of Myhr's finest attributes is his courage to let the music unfold with guileless simplicity, so we focus tightly on the sound. Elsewhere he brings his devilish command of the guitar to bear."
Sydney Morning Herald, John Shand (AU)

«Simple, direct and utterly absorbing»
Fluid Radio (UK)

"An extremely attractive offering: open, considered and refreshingly heedless og trends".
Just Outside (US)