Vesper nominated for Norwegian Grammy

Vesper, my record with Australian Art Orchestra, has been nominated for a Norwegian Grammy, Spellemannsprisen, in the contemporary category.
Guitarist & composer
Vesper, my record with Australian Art Orchestra, has been nominated for a Norwegian Grammy, Spellemannsprisen, in the contemporary category.
My piece Vesper for Australian Art Orchestra, originally premiered during Melbourne International Jazz Festival in 2018, will be coming out on Hubro in a few months. Beautiful cover photo by Tebbe Schöningh. Beautiful cast of musicians: Peter Knight, Aviva Endean, Erkki Veltheim, Lizzy Welsh, Jacques Emery, Joe Talia and Tony Buck. Mixed by Jem Savage and mastered by Joe Talia. For more info, check release section.
In addition to the You | me concert, I will be doing a solo show at Big Ears Festival in Knoxville in March. Really excited about it.
Norwegian guitarist and composer Kim Myhr has been touring internationally since the early 2000s and has released several records under his own name. His album You | me (2017) was nominated to Nordic Music Prize, and received wide acclaim internationally. As a composer he has made music for Australian Art Orchestra, Canadian string quartet Quatuor Bozzini, Kitchen Orchestra and Trondheim Jazz Orchestra of Norway, and has collaborated with Jenny Hval (on the 2012 collaborative album “In The End His Voice Will Be The Sound Of Paper”, Tony Buck of The Necks (on the album “You | me”), Lasse Marhaug, Christian Wallumrød, poet Caroline Bergvall and many others. He has toured extensively the last fifteen years across Europe, Americas, Asia, and Australia. His last record Vesper with Australian Art Orchestra was nominated for a Norwegian Grammy in 2020 in the contemporary category.
“Kim Myhr is a master of slow-morphing rhythms and sun-dappled textures that seem to glow from the inside”.
- The Guardian
«A sonically adventurous record, beautifully listenable and immersive»
Nordic Music Prize Honorary Mention
«Kim Myhr is a master of slow-morphing rhythms and sun-dappled textures that seem to glow from the inside…It’s an album to bolster the spirits and ground the nerves. traveling music for big-sky vistas»
★★★★ The Guardian (UK)
"a tremendous piece of music»
BBC3
«delicate and suffused with beauty, yet exudes a power derived from the clarity of its creative vision. Truly, an ocean of sound.»
★★★★ MOJO (UK)
«surely a minor masterpiece»
Jazzwise
«a trance state between the acoustic and the electronic, where an alchemical late-hours lyricism is born.»
★★★★ MOJO (UK)
Årets sjuende beste norske plate
Dagbladet (NO)
"extravagants orages qui peuvent se transformer en transports shamaniques, dérives cosmiques et ruminations bruitistes, tout un capharnaüm extra-musical parfois effacé au profit de nappes cristallines semblables à d’évanescents mandalas sans cesse recommencés. […] comme des étonnements d’enfance.» Les Inrockuptibles (FR)
«A grotesquely beautiful paradox of sound»
SLUG magazine (US)
«arresting piece of work»
The Quietus (UK)
«Remarkable»
Jazzwise (UK)
«Compelling, riveting listening»
All about Jazz (UK)
«A delirious love letter to the 12-string acoustic guitar»
WIRE Magazine, Clive Bell (UK)
"One of Myhr's finest attributes is his courage to let the music unfold with guileless simplicity, so we focus tightly on the sound. Elsewhere he brings his devilish command of the guitar to bear."
Sydney Morning Herald, John Shand (AU)
«Simple, direct and utterly absorbing»
Fluid Radio (UK)
"An extremely attractive offering: open, considered and refreshingly heedless og trends".
Just Outside (US)
For high-res press photos, interview requests and other press enquiries, please contact Frøydis Bergheim Ruud at Grappa: froydis@grappa.no
Booking and other things: info@kimmyhr.com